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Battle of Agnadello (Titian)
entity_0025
Out-of-Knowledge-Base Q3329748 explicit artwork mentionimplicit artwork mention 14 biographies
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OOKB URI
https://viewsari.ise.fiz-karlsruhe.de/kb/1.0#f19bb56f5a9042f990ac81a3169e42c611832
Surface forms (14)
“many figures in S. Marco in Florence”
“the church beside the door on the left hand”
“S. Francesco”
“two figures in marble, to be made for their niches, which are on the outside of Orsanmichele”
“the Nunziata”
“he painted with little figures Boccaccio's tale of Nastagio degli Onesti in four square pictures of most charming and beautiful workmanship”
“painting of S. Catherine”
“the Madonna”
“a Madonna with the Child in her arms in a lunette, with a frieze of seraphim all round, also wrought in oil”
“a panel with the Holy Cross in the middle, and, at the sides, S. Mark, S. John the Evangelist, S. Antonino, Archbishop of Florence, and other figures”
“that Madonna of marble”
“S. Raffaello”
“Convent of S. Maria Novella”
“a great scene of the rout of Chiaradadda, in the Hall of the Great Council”
Occurrences (14)
Cavallini §204 “many figures in S. Marco in Florence” implicit Cimabue §4 “the church beside the door on the left hand” implicit Giotto §97 “S. Francesco” explicit Brunelleschi §179 “two figures in marble, to be made for their niches, which are on the outside of ” implicit Alberti §54 “the Nunziata” explicit Botticelli §284 “he painted with little figures Boccaccio's tale of Nastagio degli Onesti in four” implicit Gherardo §246 “painting of S. Catherine” implicit Ghirlandaio §251 “the Madonna” implicit Pollaiuolo §273 “a Madonna with the Child in her arms in a lunette, with a frieze of seraphim all” implicit Rosselli §214 “a panel with the Holy Cross in the middle, and, at the sides, S. Mark, S. John t” implicit Verrocchio §310 “that Madonna of marble” implicit Lippi §3 “S. Raffaello” explicit Pontormo §202 “Convent of S. Maria Novella” explicit Titian §256 “a great scene of the rout of Chiaradadda, in the Hall of the Great Council” implicit